Research

Taxi commenced a period of professional development in April 2023, kindly supported by Arts Council England. The above work in progress plus associated creative practice continues to be investigated, refined and disrupted through mentorship during this time. Workshops on queering movement-sound/choreomusical work, plus other performing arts practices that utilise movement and sound, have been delivered in Berlin, July 2023, and London, February 2024.

Reflective improvisation of “Mickey Mousing”, “Donald Ducking” and jump-squeaks.

Prior to this, Taxi undertook an R&D period from January to April 2023 that explored dancer-musician creative practice ahead of the grant period.


Producer

Producer and performer: Taxi Rank (Rho Thomas)

Producer and performer: Rho Thomas

Rho founded the first London chamber ensemble specialising in orchestral reductions for small scale/fringe opera productions in 2010 with composer/arranger Danyal Dhondy. Their first production of this nature was Madama Butterfly with OperaUpClose.


COMPOSITION

States of being: 1. Hopefulness

For bass clarinet drag performer with backing track and audience participation. First movement premiered 2019 at the TheyThey Show, SET Dalston, London.

Version for solo drag bass clarinet with clarinet and saxophone octet completed in 2021 can be heard in the audio examples for movements II and III.


PERFORMANCE

Producer/performer: Taxi Rank (Rho Thomas)


Creative practice

 
 

The Cabinet

This pilot project follows on from Rho's masters research. Applying the dancer-musician and Lazovski methods, two performers blur the boundaries of dance and instrumental music.

Producer/dancer-musician/arranger: Rho Thomas
Dancer-musician/choreographer: Oren Lazovski
Original Score: Louis Spohr - Clarinet Concerto no.4


Identities | Four Quadrants

Dancer-musician: Rho Thomas
Composer: Daniel Mills

Identities explores the relationship between performer and instrument as well as feelings of being bound to the bass clarinet and learning to embrace it. Resonant frequencies of the studio itself are used to define the score.

This video comes from research and development into audio-motion detection software and how four quadrants (mapped in the space and triggered by movement to produce electronic sounds) respond to a dancer-bass clarinettist. In all of these these sessions we refined parameters, tested usability, improved functionality and developed objectives and a methodology for the creation of performance works.


Connect It - Anna Meredith and David Ogle

Rho joined fellow Trinity Laban students as a dancer-musician in the 10 Pieces Prom performance of Connect It for body percussion in 2015. They also helped the creators present a section of the work at the Last Night of the Proms in Hyde park for an audience of 40,000.

 

DIPTIK blurs the boundaries of sound and movement. Their debut performance at the Resolution! 2015 festival questions the role of the score and notation. Multi-talented performers move and create sound on stage in a witty work that takes risks and challenges preconceptions of dance and music performance.

 
 

Co-directors: Katarzyna Witek, Elliot Galvin

Producer/dancer-musician: Rho Thomas

DIPTIK blurs the boundaries of sound and movement. Their debut performance at the Resolution! 2015 festival explores the idea  'dance is music/music is dance' and the use of score and notation. 



The Sea of Trees uses music, dance and live sound and video manipulation to explore a fictional narrative set in Aokigahara, the 'Suicide Forest' in Japan.

Daniel Mills, Composer

Bass Clarinet: Rho Thomas

The Sea of Trees is the title of the project that represents Mills's major composition assessment submission for the Masters course at Trinity Laban Conservatoire of Music and Dance in 2014. Utilising music, dance and film, the piece explores themes of suicide and depression within the context of the famous 'Suicide Forest', Aokigahara in Japan.



Turner and the Sea at South Bank

Producer/dancer-musician: Rho Thomas

Supporting the Animate Orchestra, The Turner and the Sea collaboration was presented at the Clore Ballroom at the Southbank Centre in April 2014.


Turner and the Sea, Collaboration

Producer/dancer-musician: Rho Thomas

As part of the 2014 Trinity Laban CoLab festival, this work explores ideas and themes drawn from the Turner exhibition at the National Maritime Museum and was performed in the Samy Ofer Wing of the museum. The performance was then featured in the CoLab Showcase at the Bonnie Bird Theatre.


Live Performance of 'Just So' at Tête à Tête: The Opera Festival, 2/8/2012.

Danyal Dhondy, Composer

Clarinet/Saxophone: Rho Thomas

An adaptation of Rudyard Kipling's Just So Stories, for a family audience.